[et_pb_section fb_built=”1″ fullwidth=”on” admin_label=”Header” _builder_version=”4.27.4″ background_color=”#000000″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_fullwidth_slider show_arrows=”off” show_pagination=”off” _builder_version=”4.27.4″ header_font=”Montserrat|800||on|||||” header_font_size=”6vw” header_line_height=”1.2em” body_line_height=”1.8em” background_enable_image=”off” button_icon=”%%129%%” button_icon_placement=”left” button_on_hover=”off” text_orientation=”left” custom_padding=”10vw|6%|10vw|6%|true|true” custom_padding_tablet=”|10vw||10vw|true|true” custom_padding_phone=”” custom_padding_last_edited=”on|phone” hover_enabled=”0″ global_colors_info=”{}” button_bg_color__hover_enabled=”on|desktop” button_bg_color__hover=”#6e42ff” button_bg_enable_color__hover=”on” theme_builder_area=”post_content” sticky_enabled=”0″][et_pb_slide heading=”Pardo Blanco” _builder_version=”4.27.4″ use_background_color_gradient=”on” background_color_gradient_stops=”rgba(0,0,0,0) 0%|#000000 100%” background_color_gradient_overlays_image=”on” background_color_gradient_start=”rgba(0,0,0,0)” background_color_gradient_end=”#000000″ background_image=”http:\/\/colorincoloradocine.com\/wp-content\/uploads\/2025\/10\/fotograma-01.jpg” background_enable_image=”on” hover_enabled=”0″ global_colors_info=”{}” sticky_transition=”on” theme_builder_area=”post_content” background_color=”#0A0A0A” background_enable_color=”on” title_text=”fotograma 01″ sticky_enabled=”0″ background_position=”top_center”][\/et_pb_slide][\/et_pb_fullwidth_slider][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Calls to Action” _builder_version=”4.16″ background_color=”#000000″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_row use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.27.4″ width_tablet=”80%” width_phone=”” width_last_edited=”on|tablet” max_width=”none” locked=”off” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.27.4″ text_text_color=”rgba(255,255,255,0.7)” text_font_size=”13px” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” min_height=”97.4px” custom_padding=”45px||25px|||” custom_padding_tablet=”45px||25px|||” custom_padding_phone=”||60px||false|false” custom_padding_last_edited=”on|phone” hover_enabled=”0″ border_width_bottom=”1px” locked=”off” inline_fonts=”Abel,ABeeZee” global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n
El tel\u00e9fono suena. Es mi primo Mat\u00edas, preso hace un a\u00f1o por un delito que no cometi\u00f3. En cada charla, lo mismo, ser personas negras es sin\u00f3nimo de condena y estigmatizaci\u00f3n. Entre archivos personales y registros policiales emprendo una b\u00fasqueda \u00edntima para desentra\u00f1ar las bases racistas en mi pa\u00eds.<\/p>\n
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global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.27.4″ text_text_color=”rgba(255,255,255,0.7)” text_font_size=”13px” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” custom_margin=”||34px|||” custom_padding=”5px||||false|false” hover_enabled=”0″ locked=”off” inline_fonts=”Abel,ABeeZee” global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n FICHA T\u00c9CNICA<\/span><\/span><\/p>\n A\u00f1o: 2026<\/p>\n Duraci\u00f3n 70min<\/p>\n Pa\u00eds: Argentina<\/p>\n Direcci\u00f3n: Octavio Comba<\/p>\n Guion: Octavio Comba, Mariano Corbacho<\/p>\n Producci\u00f3n: Mariano Corbacho<\/p>\n Asistentes de Producci\u00f3n: Facundo Rodriguez Alonso, Mart\u00edn de Dios<\/p>\n C\u00e1mara: Octavio Comba<\/p>\n C\u00e1mara y fotograf\u00eda en estudio: Bruno Scarponi<\/p>\n Montaje: Octavio Comba, Mariano Corbacho<\/p>\n Direcci\u00f3n de sonido: Nuria Suaya<\/p>\n Mezcla: Francisco Pedemonte<\/p>\n Correcci\u00f3n de color: Laura Viviani<\/p>\n Dise\u00f1o de t\u00edtulos y cr\u00e9ditos: Malena Sof\u00eda Lucero<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” _builder_version=”4.27.4″ module_alignment=”center” custom_margin=”|auto||auto|false|false” border_width_top=”1px” global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.27.4″ text_text_color=”rgba(255,255,255,0.7)” text_font_size=”13px” ul_font_size=”13px” ul_line_height=”3em” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” min_height=”294px” custom_margin=”||||false|false” custom_padding=”50px||||false|false” hover_enabled=”0″ locked=”off” inline_fonts=”Abel,ABeeZee” global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n INCAA \u2013 Instituto Nacional de Cine y Artes Audiovisuales<\/p>\n<\/li>\n Mecenazgo de la Ciudad de Buenos Aires<\/p>\n<\/li>\n Beca Creaci\u00f3n del Fondo Nacional de las Artes<\/p>\n<\/li>\n Ganador Concurso de Desarrollo de Documentales In\u00e9ditos INCAA 2020<\/p>\n<\/li>\n<\/ul>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}” theme_builder_area=”post_content”][et_pb_text _builder_version=”4.27.4″ text_text_color=”rgba(255,255,255,0.7)” text_font_size=”13px” ul_font_size=”13px” ul_line_height=”3em” header_3_font=”Montserrat|600|||||||” header_3_font_size=”18px” background_layout=”dark” min_height=”294px” custom_margin=”||||false|false” custom_padding=”50px||||false|false” hover_enabled=”0″ locked=”off” inline_fonts=”Abel,ABeeZee” global_colors_info=”{}” theme_builder_area=”post_content” sticky_enabled=”0″]<\/p>\n Fondo Metropolitano de la Cultura, las Artes y las Ciencias 2022<\/p>\n<\/li>\n Mendoza Film Lab<\/p>\n<\/li>\n SANFIC 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